🚚 Free Worldwide Shipping on All Orders!Shop Now
HomeStore

Gardar Eide Einarsson - Pathetic Crap - Revolver 2004

Product image 1
Product image 2
Product image 3
Product image 4
Product image 5
Product image 6
Product image 7
Product image 8
Product image 9
Product image 10

Gardar Eide Einarsson - Pathetic Crap - Revolver 2004

Gardar Eide Einarsson - Pathetic Crap - Revolver 2004

Subtitled "Long Haired and Freaky People Need Not Apply ...", Pathetic Crap was made in collaboration with curator Christoph Keller. No text interrupts the ride, index of images is visible on its cover. Published by Gardar Eide Einarsson, Steven Parrino and Revolver. 

Over the past decade Gardar Eide Einarsson's exhibition practice has followed a highly consistent thematic trajectory, continuously tracing out what one could call an “iconography of resistance.” The signs and symbols we can read out of Einarsson's works often refer to fundamental conflictual structures between a society of control following September 11, 2001, and the individual's rebellion against and threat to central power. Einarsson also uses historical examples of tragic, abortive attempts to achieve individual freedom, and looks at popular culture's treatment of the myths, signs, and visuality of the outsider ideal as drawn from examples in reality where instances of extreme individualism have resulted in terrorism and crime.
Edition of 500.

91p - EN - 20,5x15,5cm - softcover - great condition

$438.03
Gardar Eide Einarsson - Pathetic Crap - Revolver 2004
$438.03

Product Information

Shipping & Returns

Description

Subtitled "Long Haired and Freaky People Need Not Apply ...", Pathetic Crap was made in collaboration with curator Christoph Keller. No text interrupts the ride, index of images is visible on its cover. Published by Gardar Eide Einarsson, Steven Parrino and Revolver. 

Over the past decade Gardar Eide Einarsson's exhibition practice has followed a highly consistent thematic trajectory, continuously tracing out what one could call an “iconography of resistance.” The signs and symbols we can read out of Einarsson's works often refer to fundamental conflictual structures between a society of control following September 11, 2001, and the individual's rebellion against and threat to central power. Einarsson also uses historical examples of tragic, abortive attempts to achieve individual freedom, and looks at popular culture's treatment of the myths, signs, and visuality of the outsider ideal as drawn from examples in reality where instances of extreme individualism have resulted in terrorism and crime.
Edition of 500.

91p - EN - 20,5x15,5cm - softcover - great condition

You may also like

-70%NEW
Thumbnail 1Thumbnail 2

Geert Goiris (signed) - Prophet - Roma Publications 2015

$321.22

$96.37

-70%NEW
Thumbnail 1Thumbnail 2

Paul Graham - Empty Heaven - Scalo 1995

$192.73

$57.82

-70%NEW
Thumbnail 1Thumbnail 2

John Baldessari, Koen van den Broek - This an Example of That - MER. Books 2008

$350.42

$105.13

-70%NEW
Thumbnail 1Thumbnail 2

Jens Hoffmann - The Next Documenta Should Be Curated By An Artist - e-flux & Revolver 2004

$262.82

$78.85

NEW
Thumbnail 1Thumbnail 2

Pierre Fatumbi Verger - Dieux d'Afrique - Editions Revue Noire 1995

$280.34

-70%NEW
Thumbnail 1Thumbnail 2

Doug Rickard - A new American picture - Koenig 2011

$292.02

$87.61

NEW
Thumbnail 1Thumbnail 2

Tod Papageorge - Studio 54 - Stanley/Baker 2014

$379.63

-70%NEW
Thumbnail 1Thumbnail 2

Witness to Her Art: Art and writings by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne - CCS 2006

$198.57

$59.57