“The igloo is a home, a temporary shelter. Since I consider that ultimately, today, we live in a very temporary era, for me the sense of the temporary coincides with this name: igloo,” said Mario Merz in 1984.
Published on the occasion of the exhibition of 12 Merz’s igloo works of the time at the Kunsthaus in Zürich, organised by the pioneering curator Harald Szeemann.
This show was “a kind of city of igloos”, Todolí says, or what Merz called a “Città irreale”.

Kunsthaus Zürich - 1985
94p - EN - 26.5x17.8cm - softcover - small marks of humidity and annotations